A Lost Sense of Wonder
Filed under: Comics
As a child, comic books held a sense of wonder for me. They were 22 pages of action, art, and escape. As an adult reader, I notice that I haven’t felt that wonder and awe in quite a while. I’ve matured and lost some of my childhood innocence, that’s true. But comic have changed, too. I enjoy the variety of titles available, but I look at today’s video-game playing youth and contemplate how we can get them to experience the wonders that are comics.
When I was younger, comics were easily available. I would run down the block to the corner drugstore once every couple of weeks to buy some comics to read. I would scan the racks, and pick-up the comics with the most exciting and enticing covers first. The stories were easily accessible. I could tell what was going on even if I had never read the title before. The stories also had action; not necessarily fights, but there was a definite sense of story progression from the start to the end of the issue. An occasional cliff-hanger was fine, but most stories were self contained. I would read and re-read them until the books were on the verge of falling apart. The price was right; with a couple of crumpled dollar bills, I could buy at least four comics.
A definite effort needs to be made to attract new readers. Today’s new readers are tomorrow’s collectors that will keep the industry going. With the plethora of comic book movies today, attracting new readers should be easy, but experience has shown otherwise. What is needed is not a complex plan, but simply more attention to the basics so that this sense wonder we felt as children can be passed on to the next generation.
- Availability: Thanks to large national chains, many small local retailers are gone. Most that remain do not carry comics due to poor profit margins. While there are excellent comic book shops out there, but they tend to cater to those established collectors, not to the new or occasional reader.
There needs to be a way of getting comics out to the general public. Spinner racks at bookstores are a good start. Trade paperback collections make a nice start to reading comics, but there’s something special about the classic comic style. Publishers are starting to sell their comics at some of the large chain stores. This is a good idea, and should be expanded. The publishers and distributors also need to look at getting comics back to the smaller retailers. Once comics are readily available, then advertising becomes a more tenable concept. - Covers: Covers need to return to the eye-catching wonders they once were. They should portray an idea of what’s going on in the story, and in as dramatic a way as possible. Recognizable characters should be on the cover, and the title, issue number, and price should be readily evident. Looking over the past month’s comics, the only cover that really attracted my attention wasFlash #209, with Flash racing Superman.
- Stories: The story lines need to be tightened. I’m not saying there’s not a place for slower paced or less action filled comics. There are, but these are not the best titles for new readers. There are too many comics today that contain issue after issue of “middle”, with a two- or three-part story stretched out into 5 or 6 parts. Long arcs can still be told with individual stories. Look at the “Dark Phoenix Saga”. There was definitely an overarching theme to those issues, but each story stood on its own (with the occasional cliff-hanger).
Collecting issues for trades is a fine idea, but who says trades have to consist of just one long storyline? I would be just as happy with a trade of 5 or 6 individual stories. - Affordability: Price is a major issue. In the twenty (and more) years I’ve been collecting, comics have gone from 40 cents to $2.99, an increase of over 7 times. However, I doubt that kids’ allowances have increased this same amount. Sure, the paper is better quality today, and the art better reproduced, but that doesn’t matter if you can’t afford the comic. Trades are cheaper, some say, because it brings the individual price-per-issue down. True, but they still cost at least $9, and a kid who can’t afford $2.99 can’t afford $9. Sure, you can try to explain savings to kids, but it won’t work, they want a quicker gratification. Marvel tried some cheaper “unplugged” comics a few years ago, but they didn’t work out. They were perfect for the new reader, yet marketed to the established reader. If these books could be released again, but targeted for a wider audience they would have a better chance of success.
While the collector in me may cringe at the sight of my old comics, dog-eared and torn from repeated readings, this is just what the industry needs. We need comics that grab new readers’ attentions and don’t let go. Comics that turn a new reader into an occasional reader, and an occasional reader into a regular reader. The publishers need to look at it as an investment: an investment in the future of the industry.
May 26th, 2004 at 9:45 pm
I think manga offers what you seek. Back when I had subscriptions to SHONEN JUMP and RAIJIN COMICS, I was impressed with how they managed to make each installment of the ongoing serial a satisfying chunk in its own right. And manga like SGT. FROG are great, goofy, gonzo fun.
May 26th, 2004 at 9:59 pm
John, You’re right; manga is certainly attracting the kids. How can that then be capitalized on to make the kids life-long comic book readers, or will manga do it by itself?
May 27th, 2004 at 1:30 pm
Well, if they keep reading manga throughout their lives, they’ll be life-long comic book readers. Speaking in terms of US-made comics, I think it’ll come about on its own eventually. Witness things like Tokyopop’s Rising Stars of Manga contest/anthology. Look at Shutterbox and the coming Peach Fuzz books. People who grew up reading manga are starting to make their own comics, which provides an obvious entry-way. That will itself diverge more from manga as time goes on and creators get comfortable with their own styles, helping it merge more into the rest of US comics.
I think we’re also going to see a bit of an explosion of female artists and writers as the current shoujo crop grow up. That combined with the fact that most manga has only one creative team throughout the run and aren’t everlasting franchises means I think a lot of people growing up with these titles will try to make something of their own eventually. Even if it starts very derivative, it can hopefully evolve as time goes on..
I also see titles like Courtney Crumbrin and Blue Monday starting to make inroads into bookstores, books which would have had a lot of trouble getting any exposure in the past. In some ways, I think this is actually a better time for companies like Oni Press than it is for the “big two”.
We still have a long ways to go, but I think the manga invasian and the overall move to more graphic novels and diversity of topics in the US industry will end up being good things.
Plus, as someone above mentioned, a lot of manga is very much like superhero comics anyway. Our definition of “superhero” is really just a small subset of possible heros, even those with special powers. I think that an important difference many US SH comics vs. manga tends to be themes versus surface trappings. Marvel and DC seem set on re-inventing superheros with many genres and topics. On the other hand, a lot of manga take certain themes (adventure, fighting, friendship) and put different trappings on top. I think the latter tends to be more successful, because a majority of kids like particular themes, and if the end result involves pirates or ninjas or sports, those trappings lend a bit more variety on the surface. But if someone isn’t into spandex or code-names, they probably won’t give a superhero title a shot, even if it was really a romance at its heart..
Shawn
May 28th, 2004 at 11:06 am
Of course manga will keep people’s interest, since a real comic industry, with genres designed to appeal to every age group. In the US, once people grew tired of superhero comics, they turn to books, movies, and TV shows which offers something for their age group. In Japan, they just buy the comic (MANGA IS COMICS!) appeals to their age group. There’s already anthologies aimed at post-middle age folks in Japan; the idea is that you’re born reading comics; you’ll die reading comics too. Instead of forcing everyone in all age-group to accept variations of a shonen genre (superheros), the Japanese industry just offer other stories which older adults or girls want to read. Instead of publishing “Another Dragonball with adult themes”, they publish “Long Wolf and Club” and “Eagle”. This is they way a REAL comics industry should work. We don’t have such an industry.
February 7th, 2007 at 3:02 pm
[…] Speaking of Thought Balloons. There is an interesting discussion going on here about a recent post at Poite Dissent asking where all the wonder in comics went to. Hopefully I can talk a little about this subject this weekend. […]
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